Mostrando entradas con la etiqueta Restauración. Mostrar todas las entradas
Mostrando entradas con la etiqueta Restauración. Mostrar todas las entradas

miércoles, 17 de noviembre de 2021

2. LATE 17TH C.

2. LATE 17TH C.

El 17-N empezamos con Oroonoko de Aphra Behn, y seguimos con Locke y Egerton.

 

Pronto terminamos el tema 2, con Locke y Newton, y pasamos al tema 3, tratando con Egerton, y con sus respectivas selecciones de textos. Egerton, Newton, y otros autores están a caballo entre la última década del XVII y la primera mitad del siglo XVIII.






Sir Isaac Newton 
(1642-1727).

_____. Philosophiae Naturalis Principia Mathematica.  1687. (Mathematical principles of natural philosophy)
_____. Opticks. 1704.
_____. A Treatise of the System of the World. 1728. (Written c. 1685)


__________________

NIVEL AVANZADO: Sir Isaac Newton

__________________



 

JOHN LOCKE     (1632-1704)

_____. (Anon.). Two Treatises of Government.  1689.

_____. (Signed). An Essay Concerning Human Understanding. 1689.
_____. Letters for Toleration. 1690-92.
 _____. Some Considerations of the Consequences of the Lowering of Interest, and Raising the Value of Money. 1691.
_____. Some Thoughts Concerning Education. 1693.
_____. The Reasonableness of Christianity. 1695.


Locke was an English empiricist philosopher and political theorist, b. Wrington, Somersetshire; Lecturer, physician and philosopher; assistant to the First Earl of Shaftesbury, Whig political theorist, exile in Netherlands 1682-88; customs official after revolution; d Oates, Essex; influential theorist of knowledge and economist; proto-liberal, defends political and religious toleration.

_________________________

- Some notes on John Locke

- John Locke (Wikipedia).

Aquí un pequeño vídeo sobre Locke (con una errata, ojo: llaman a la revolución de 1688 "la revolución de Cromwell" confundiéndola con la de 1642).









_____________


 NIVEL AVANZADO:

 

Antes del influyente Discurso sobre la Tolerancia de Locke, hubo también precedentes. Aquí hay un breve "Discurso sobre la tolerancia" de William Drummond, poeta con el que empezamos este curso: A Discourse on Toleration


- Materiales sobre John Locke


- Restoration Women Writers

 

- Aquí hay algunos títulos relativos al comienzo del periodismo en el siglo XVII.
 

________________________

 

 

 

El 11-N trataremos de algunos dramaturgos de la Restauración, y más en detalle de Aphra Behn. Necesitaremos el texto de Oroonoko.

 


Aphra Behn  (1640-1689)

_____. The Forc’d Marriage. Drama. 1670.
_____. The Amorous Prince. Heroic drama. 1671.
_____. The Dutch Lover. Drama. 1672.
_____. The Town-Fop; or, Sir Timothy Tawdry. Comedy. 1676.
_____. Abdelazer; or the Moor’s Revenge.  Tragedy. 1676.
_____. The Rover, or, the Banish’t Cavaliers. Comedy. 2 parts. 1677, 1681.
_____. Sir Patient Fancy. Comedy. 1678.
_____. The Feigned Curtezans. Comedy. 1679.
_____. The Young King; or The Mistake. Heroic drama. 1679.
_____. The City Heiress; or, Sir Timothy Treat-All. Comedy. 1682.
_____. The Round-Heads: or, The Good Old Cause.  Satiric drama. 1682.
_____. The False Count; or, a New Way to Play an Old Game. Farce. 1682.
_____. Love Letters between a Nobleman and His Sister.  Novel. 1684.
_____. The Lucky Chance; or , an Alderman’s Bargain. Comedy. 1687.
_____. The Emperor of the Moon. Farce. 1687.
_____. Three Stories, viz. Oroonoko; or, The Royal Slave; The Fair Jilt, and Agnes de Castro.  Novellas. 1688. 

_____. The Widow Ranter. Tragicomedy. 1689.



Oroonoko, or The Royal Slave (Audiobook):





"Oroonoko, or The Royal Slave is a novel by Aphra Behn (1640-1689). Aphra Behn was the first woman writer in England to make a living by her pen, and her novel Oroonoko was the first work published in English to express sympathy for African slaves. Perhaps based partly on Behn's own experiences living in Surinam, the novel tells the tragic story of a noble slave, Oroonoko, and his love Imoinda. The work was an instant success and was adapted for the stage in 1695 (and more recently by the Royal Shakespeare Company in 1999). Behn's work paved the way for women writers who came after her, as Virginia Woolf noted in A Room of One's Own (1928): "All women together ought to let flowers fall upon the tomb of Aphra Behn, ... for it was she who earned them the right to speak their minds." (Summary by Elizabeth Klett)



- Some further notes on Aphra Behn.

- Music for Aphra Behn's Abdelazer, by Henry Purcell.

 

 

____________

NIVEL AVANZADO:

- An audio on Aphra Behn (In Our Time, BBC).

- A lecture on Oroonoko

- An overview of  Oroonoko



____________


Some Restoration dramatists:

SIR WILLIAM DAVENANT  ( 1605-1668)

_____. The Wits. Comedy. c. 1633.
_____. Love and Honour. Heroic play. 1634, pub. 1649.  Revived 1661.
_____. Temple of Love. Masque. Premiere performed by Queen Henrietta Maria and her ladies. 1635.
_____. Britannia Triumphans. Masque. 1638.
_____. Salmacida Spolia. Masque. 1640.
_____. Gondibert. Epic poem. 1650.
_____. The First Day’s Entertainment at Rutland House.
_____. The Siege of Rhodes. Operatic drama in two parts. Part 1 performed 1656, 1657.
_____. The Cruelty of the Spaniards in Peru. Operatic drama. 1658.
_____. The History of Sir Francis Drake. Operatic drama. 1659.
_____. The Law Against Lovers. Drama.1662. (Based on Shakespeare’s Measure for Measure and Much Ado About Nothing).
_____. Macbeth. Operatic adaptation. 1673.
_____. Playhouse to Be Let. Adapted from Molière.

Davenant, William, and John Dryden. The Tempest or The Enchanted Island.  Operatic adaptation of Shakespeare’s work. 1667.


Davenant was a Royalist poet, dramatist and dramatic producer; the son of an Oxford tavern-keeper, godson and self-reputed illegitimate son of Shakespeare; st. All Saints grammar school, Oxford, and Lincoln College, page to Frances Duchess of Richmond, patronized by Fulke Greville, Lord Brooke; court dramatist and poet, laureate at the Queen’s wish 1638, named governor of the King’s and Queen’s players at Drury Lane 1639; Cavalier activist, imprisoned by Parliamentarians, escape to France, lieutenant-general in the Earl of Newcastle’s army, knighted 1643 for service at the siege of Gloucester, emissary between the King and Queen, l. Paris, Louvre, projected colonist, imprisoned at Wight and the Tower of London, seemingly protected by Milton, later repaid favour, released, organiser of musical dramatic events, Theatre at Rutland House, Charterhouse Yard, 1656-, reviver of drama after Puritan interruption; licensed impresario after Restoration with the Duke’s Company, died insolvent, buried at Westminster Abbey.




George Etherege (1634-1691)

_____. The Comical Revenge, or Love in a Tub. Comedy. 1664.
_____. She Wou'd if She Cou'd. Comedy. 1668.
_____. The Man of Mode, or, Sir Fopling Flutter.  1676.


William Wycherley (1641-1715)

_____. Love in a Wood, or St. James's Park.
Drama. 1671.
_____. The Gentleman Dancing-Master. Comedy. 1672.
_____. The Country Wife. Comedy. 1675.
_____. The Plain Dealer. Comedy. 1676.



William Congreve (1670-1729)

_____. The Old Bachelor. Comedy. 1693.
_____. Love for Love. Comedy. 1695.
_____. The Mourning Bride. Tragedy. 1697.
_____. The Way of the World. Comedy. 1700.



________

NIVEL AVANZADO:

 
- the plot of Congreve's The Way of the World.


- Nahum Tate (1652-1715)
______. Shakespearean adaptations (Richard II, King Lear)
______. Dido and Aeneas. Opera with music by Henry Purcell. 1689.


 

__________

 



Samuel Butler (1613-1680)
_____. Hudibras. Burlesque epic. 3 parts. 1663, 1664, 1678.
_____. Characters. 1667-9, pub. 1759. (A virtuoso, A hermetic philosopher, etc.)
_____. The Elephant in the Moon. Satire. 1759.
_____. Satire on the Royal Society. Satirical poem. 1759.
_____. The Genuine Remains in Verse and Prose of Mr Samuel Butler. 1759.



A burlesque dramatic satire against Dryden and the heroic plays: The Rehearsal, ascribed to the Duke of Buckingham and Samuel Butler.

 

___________________

 

 

10 nov.: trataremos de Rochester, Dryden, y seguidamente Aphra Behn y Locke.


Primero veremos a Rochester, Dryden, y otros dramaturgos de la Restauración.  Id leyendo las selecciones de novelas que tenemos, que son algo largas, empezando por Oroonoko de Aphra Behn.



JOHN DRYDEN     (1631-1700)

English man of letters, b. Aldwinkle, Northamptonshire; st. Westminster School and Trinity College, Cambridge; Parliamentarian protestant background, soon Anglican Royalist courtier, converted to catholicism 1686; successful playwright, Poet Laureate 1668; Historiographer 1670; Tory satirist and polemicist vs. Whigs; lost jobs in 1688 Revolution; then jacobite; neoclassical critic and translator; influential dramatist, poet and critic, d. London; buried at Westminster Abbey after some grotesque incidents.

_____. "A Poem upon the Death of His Late Highness, Oliver, Lord Protector of England, Scotland, and Ireland." 1659. Rev. version: "Heroic Stanzas Consecrated to the Memory of His Highness Oliver..."
_____. Astraea Redux. A Poem on the Happy Restoration and Return of his Sacred Majesty Charles the Second. Poem. 1660.
_____. To His Sacred Majesty, A Panegyrick on his Coronation. 1661.
_____. The Rival Ladies. Tragicomedy. 1664.
_____. The Indian Emperor, or The Conquest of Mexico by the Spaniards. Heroic drama. 1665.
_____.  Annus Mirabilis, The Year of wonders, 1666. An Historical Poem: containing the Progress and various Successes of our Naval War with Holland, under the Conduct of His Highness Prince Rupert... And describing the Fire of London.  1667.
_____. The Tempest, or The Enchanted Island.  1667. (With William Davenant. Based on Shakespeare. Revised with music by Mattew Locke).
_____.  Of Dramatic Poesy: An Essay.  1668. 
_____. Tyrannick love, or , The Royal Martyr. Heroic play 1669.
_____. Almanzor and Almahide, or The Conquest of Granada. Heroic play. 2 parts, 1669, 1670. Pub. 1672.
_____. An Evening's Love. Tragicomedy. 1671.
_____. Marriage à la Mode. Comedy 1672.
_____. Aureng-Zebe. Heroic play. 1676.
_____. All for Love; or, The World Well Lost. Tragedy. 1678.
_____. Mac-Flecknoe, or A Satyr upon the True-Blew-Protestant Poet, T. S.  1676, pub. 1682.
_____. The Spanish Fryar, or The Double Discovery.  Tragicomedy. 1680.
_____.  (Anon.) Absalom and Achitophel.  (1st part). Satirical poem. 1681.
_____. The Medall. A Satyre against Sedition. By the Author of Absalom and Achitophel. Poem. 1682.
_____. Religio Laici, or A Layman's Faith.  Poem. 1682.
_____. trans. of Boileau's Art Poétique. (With William Soames). 1683.
_____. To the Pious Memory of Mrs. Anne Killigrew. Poem. 1686.
_____. The Hind and the Panther. A Poem . In Three Parts.  1687.
_____. "Song for St. Cecilia's Day."  1687. Set by Draghi in 1687.
______. Amphitryon. Comedy. 1690.
_____. Don Sebastian. Drama. 1690.
____. King Arthur or The British Worthy. Dramatic opera. Music by Purcell. 1691.
_____, trans. Aeneis. By Virgil. 1697. (Audiobook here)
_____, trans.  Fables Ancient and Modern, Translated into Verse from Homer, Virgil, Boccacce, and Chaucer.  1699.




THE AGE OF DRYDEN: a video lecture (in Indian English)







____________________________ 

Dryden y la música
_____________________________ 


THE EARL OF ROCHESTER  (1647-1680)

John Wilmot, 2nd Earl of Rochester, b. Ditchley, Oxfordshire, son of the 1st Earl of Rochester; scandalous court wit under Charles II, rake and hooligan; destroyed his health through drink and sex; atheist and misanthropist converted to Christianity before his death, died in London.

_____. "An Allusion to Horace." Satire.
_____. "Trial of the Poets for the Bays." Satire. Imitation of Boileau.
_____. "Epistolary Letter to Lord Mulgrave." Satire.
 

_____. "A Satyre against Reason and Mankind."
_____. "A Satyre on Charles II."

_____. "The Imperfect Enjoyment."

_____. "The Fall."
_____. "The Disabled Debauchee."
_____. Poems on Several Occasions... 1680.
_____. Valentinian.  Tragedy. 1685.
_____. Upon Nothing. 1711.


Esta es la página de Rochester en Luminariumcon obras, crítica, etc. Es especialmente recomendable la Satire against Reason and Mankind.  (Este texto está mejor que el de las fotocopias).
Sobre Rochester y el teatro de la Restauración hay una película recomendable (The Libertine). (The theatre scene) -  (the Exclusion Crisis)



Unas notas complementarias sobre Rochester.
 

______

 

NIVEL AVANZADO: 

- Upon Nothing:
https://www.poetryfoundation.org/poems/53720/upon-nothing 

and commentary:

http://www.poetryfoundation.org/learning/guide/247988#poem
 

- Dr Kat on Rochester (video lecture)

 

- Rochester and Restoration Drama

______



PROSE WRITERS OF THE RESTORATION:

 

 

4 nov. - Veremos Pilgrim's Progress de John Bunyan.


EDWARD HYDE, EARL OF CLARENDON (1609-1674)

_____. The History of the Rebellion and Civil Wars in England.  3 vols. Finished 1671-2. Pub. 1702-4.
_____. The Life of Edward, Earl of Clarendon.  Written 1668-70. Pub. 1759.


__________________

SAMUEL PEPYS  (1633-1703)
_____. Diary. Written 1660-69. Deciphered by John Smith; pub. 1825-.
_____. Memories Relating to the State of the Royal Navy. 1690.
_____. Letters and Second Diary.  1932
_____. The Tangier Papers of Samuel Pepys.   1935.


Pepys was an English gentleman and politician, the author of a secret diary, unpublished and undecyphered until the 19th century; lower middle class Puritan background, Anglican; st. with a scholarship, social promotion, official at the Navy office during the Restoration; imprisoned during Popish Plot and after 1688 Revolution; reformer of the Navy office, member of the Royal Society. 


JOHN EVELYN (1620-1706)

_____. Diary. Written 1641-. Ed. 1818.
_____. Liberty and Servitude. Treatise. 1649.
_____. A Character of England. 1659.
_____. Apology of the Royal Party. 1659.
_____. Fumifugium ot The Smoak of London Dissipated. Project. 1661.
_____. Tyrannus, or the Mode.
Essay. 1661.
_____. Sculptura.
Treatise. (Engraving). 1662.
_____. Kalendarium Hortense: or, Gard'ners Almanac. 

_____. Sylva, or a Discourse of Forest-Trees and the Propagation of Timber. 1664.
_____. London Revived: Considerations for its Rebuilding in 1666. 

_____. Terra, or A Philosophical Discourse of Earth. 1675.
_____. The Life of Mrs. Godolphin.
1847.


Evelyn was an English royalist gentleman who travelled in Europe during the 1640s; polygraph, virtuoso and member of the Royal Society, friend of Pepys.

___________ 

NIVEL AVANZADO
John Evelyn's early modern ecologism: a lecture at the Royal Society, on Sylva and the idea of sustainability: https://royalsociety.org/events/2013/sustainability/



_____________


JOHN BUNYAN   (Bedfordshire, 1628-London 1688)

_____. Some Gospel Truths Opened.
1656.
_____. A Few Sighs from Hell.
1658.
_____. Grace Abounding to the Chief of Sinners.
Spiritual autobiography. 1666.
_____. The Pilgrim's Progress.
Allegorical fiction. Part I, 1678. Part II, 1684.
_____. The Life and Death of Mr. Badman Presented to the World in a Familiar Dialogue between Mr. Wiseman and Mr. Attentive.
Allegorical fiction. 1680.
_____. The Holy War made by Shaddai upon Diabolus.
Allegorical fiction. 1682. 


 _______________

 John Bunyan (NIVEL AVANZADO)

By the Sword Divided: The Mailed Fist (1657)
 
_____________



Timeline of the Restoration and Augustan period




Puritan rule under Oliver Cromwell during the 1650s.  Lord Protector. Protestant politics during the Interregnum.

THE RESTORATION
. Restoration of Charles II, 1660. Act of Oblivion. Charles and Catherine of Braganza will have no children, but Charles will have many children by his mistresses. His brother, the Duke of York, will be the inheritor (problem: he was a Catholic).

1660s- The Royal Society, first scientific society.

1665-6 – Great Plague and Great Fire of London

1666, 1670. Dutch wars. Secret treaty of Charles with the French against the Dutch.

1672. Declaration of Indulgence towards Catholics and Nonconformists —but 1673 Test Act excludes Catholics from public office.

1677 William of Orange marries Mary, daughter of James, Duke of York.

1678 Popish plot scandal fostered by anti-Catholics (Titus Oates).

1680 Exclusion Crisis. The growth of party politics (Whigs / Tories).

1683 Rye House Plot fails to assassinate Charles and James.

1684 Charles' son Monmouth implicated in plot.

1685. Death of Charles, accesion of James II. Louis XIV allows persecution of French protestants.

1687. James's Declaration of Indulgence. The Monmouth rebellion.

1688. The Glorious Revolution and Dutch invasion (Audio). A Whig revolution. James escapes to France but lands with an army in Ireland. Defeated by William III at the Battle of the Boyne (1690) and Aughrim (1691). William and Mary rule—we'll use "the Augustan Age" for the last decade of the 18th and the 1st half of the 18th c.

1689. Bill of Rights. Toleration of Nonconformists.

1693-94: National Debt and Bank of England established.

1702. William dies. Anne, daughter of James II, reigns to 1714 (Last of the Stuart monarchs).

18th century: The growth of commerce & the American colonies. East India company begins expansion in India.

1704-6. Victories of Marlborough.

1707: Act of Union (Union of Parliaments): United Kingdom of Great Britain (Union with Ireland: 1800)

1710: Fall of the Whigs. Act of Copyright.

1714-1727: The House of Hanover.  Reign of George I, grandson of James I. More Georges: George II reigns1727-1760. George III 1760-1820.

1715: Fall of the Tories. Jacobite rising defeated. (Again in 1745, last Jacobite rising coming from Scotland – as told in Scott's Waverley).


____________________

Wrightson on the Restoration:


 

NIVEL AVANZADO: The historical context of the Glorious revolution.

 In Our Time: The Restoration

 

 




___________________


1. Early 17th c.

jueves, 19 de noviembre de 2020

A lecture on Oroonoko (NIVEL AVANZADO)

Aphra Behn (Oxford Companion)

 

From The Oxford Companion to English Literature, ed. Margaret Drabble:


BEHN, Mrs Afra or Aphra, probably née Johnson (1650-89). She was born in Kent and visited Surinam, then a British colony, in 1663 with members of her family. On her return to England the following year she married Behn, a city merchant probably of Dutch descent, who died within two years. She was employed  in 1666 by Charles II as a spy in Antwerp in the Dutch war. Her first play, The Forced Marriage (1670), was followed by some 14 others, including her most popular, The Rover (in two parts, 1677-81), dealing with the adventures in Naples and Madrid of a band of English Cavaliers during the exile of Charles II; its hero, the libertine Willmore, was said to be based on *Rochester, though another model may have been her lover, John Hoyle, lawyer and son of the regicide Thomas Hoyle. The City Heiress (1682) is a characteristic satiric comedy of London life and, like Otway's *Venice Preserv'd, contains a caricature of *Shaftesbury. The Lucky Chance (1686) explores one of her favourite themes, the ill consequences of arranged and ill matched marriages. Her friends included *Buckingham, *Etherege, *Dryden and *Otway, and she was a staunch defender of the Stuart cause. She also wrote poems and novels and edited a Miscellany (1685). Her best-remembered work is *Oroonoko, or The History of the Royal Slave, based on her visit to Surinam. Perhaps the earliest English philosophical novel, it deplores the slave trade and Christian hypocrisy, holding up for admiration the nobility and honour of its African hero. Despite her success she had even in her time to contend with accusations of plagiarism and lewdness, attracted in her view by her sex, and as late as 1905, in an edition of her novels, Ernest Baker described her work as 'false, lurid and depraved'. V. Woolf in *A Room of One's Own (1928) acclaims her as the first English woman to earn her living byh writing, 'with all the plebeian virtues of humour, vitality and courage', and comments that she was buried 'scandalously but rather appropriately' in Westminster Abbey. See M. *Duffy, The Passionate Shepherdess (1977). (See RESTORATION.)



Oroonoko, or The History of the Royal Slave, a novel by Afra Behn, published c.1688, adapted for the stage by *Southerne,  1695.

Oroonoko, grandson and heir of an African king, loves and wins Imoinda, daughter of the king's general. The king, who also loves her, is enraged and orders her to be sold as a slave. Oroonoko himself is trapped by the captain of an English slave-trading ship and carried off to Surinam, then an English colony, where he is reunited with Imoinda and renamed Caesar by his owners. He rouses his fellow slaves to revolt, is deceived into surrender by deputy governor Byam (a historical figure), and brutally whipped. Oroonoko, determined on revenge but not hoping for victory, kills Imoinda, who dies willingly. He is discovered by her dead body and cruelly executed.

The novel is remarkable as an early protest against the slave trade, and as a description of primitive people in 'the first state of innocence, before men knew how to sin': the author comments on the superior simplicity and morality of both African slaves and the indigenous Indians, whose Christian oppressors are shown as treacherous and hypocritical. Afra Behn's memories of her own visit to Surinam in 1663 provide a vivid background, and much of the story is narrated as by a personal witness. Southerne's tragedy follows the broad lines in the novel, but the deputy governor's passion for Imoinda is made a chief motif of action, Imoinda herself is presented as the daughter of a white European, and Oroonoko dies by his own hand, alterations which decrease the violence of the story and increase its intended pathos.



The Rehearsal (NIVEL AVANZADO)

 

From The Oxford Companion to English Literature,  ed. Margaret Drabble.

The Reharsal, a farcical comedy attributed to George Villiers, second duke of *Buckingham, but probably written by him in collaboration with others, among whom are mentioned Samuel *Butler and Martin Clifford, master of the Charterhouse; printed 1672.

The play satirizes the heroic tragedies of the day, and consists of a series of parodies of passages from these, strung together in an absurd heroic plot. The author of the mock play is evidently a laureate (hence his name 'Bayes'), and *D'Avenant was probably intended; but there are also hits at *Dryden (particularly his Conquest of Granada) and his brothers-in-law, Edward and Robert Howard. Bayes takes two friends, Smith and Johnson, to see the rehearsal of his play, and the absurdity of this work (which includes the two kings of Brentford, entering hand in hand), coupled with the comments of Bayes, his instructions to the actors, and the remarks of Smith and Johnson, remains highly entertaining. Prince Pretty-man, Prince Volscius, and *Drawcansir are among the characters. It was one of the earliest of English dramatic *burlesques, and was much performed during the 18th cent., during which period the genre developed to one of its highest points in Sheridan's *The Critic. The work helped to inspire *Marvell's The Rehearsal Transpros'd (1672; Pt II, 1673).


Drawcansir, a character in Buckingham's *The Rehearsal, parodying Almanzor in *Dryden's The Conquest of Granada; he appears briefly in the last act in a mock-heroic stage battle, and according to the stage directions, 'kills 'em all on both sides'. *Carlyle, in his history of *Frederick the Great, refers to the 'terrific Drawcansir figures' of the French revolution, 'of enormous whiskerage, unlimited command of gunpowder . . . and even a certain heroism, stage-heroism'.

burlesque, from the Italian burla, ridicule, mockery, a literary composition or dramatic representation which aims at exciting laughter by the comical treatment of a serious subject or the caricature of the spirit of a serious work. Notable examples of burlesque in English literature are Butler's *Hudibras and Buckingham's *The Rehearsal.







miércoles, 18 de noviembre de 2020

Dr Kat and the Earl of Rochester (NIVEL AVANZADO)

An introduction to the Earl of Rochester, with some additional poems:

 

The Libertine (NIVEL AVANZADO)

The Libertine. Dir. Lawrence Dunmore. Written by Stephen Jeffreys, based on his play (on the 2nd Earl of Rochester). Cast. Johnny Depp, Samantha Morton, John Malkovich, Paul Ritter, Francesca Annis, Rosamund Pike, Tom Hollander, Johnny Vegas, Richard Coyle, Tom Burke, Hugh Sachs, Rupert Friend, Kelly Reilly, Jack Davenport, Trudi Jackson, Clare Higgins, Freddy Jones. Music by Michael Nyman. Photog. Alexander Melman. Ed. Jill Bilcock. Prod. des. Ben van Os. Art dir. Patrick Rolfe. Set decor. Robert Winchhusen-Hayes. Costumes by Dien van Straalen. Prod. Lianne Halfon, John Malkovich, Russell Smith. Odyssey Entertainment / Isle of Man Films / Mr Mudd Productions, 2004. DVD Aurum, 2006. Spanish DVD (The Libertine). Aurum/Historia, 2012.* YouTube (2020):

         https://youtu.be/TyyA9ZPjmIg

The Restoration (In Our Time)

lunes, 18 de noviembre de 2019

Other Restoration dramatists (NIVEL AVANZADO)


NIVEL AVANZADO:


Other Restoration dramatists:



Thomas Otway (1652-1685).

_____. Alcibiades. Heroic play. 1675.
_____. Don Carlos. Heroic play. 1676.
_____. Cheats of Scapin. Comedy. 1677? Based on Molière.
_____. Titus and Berenice. Heroic play. 1676. (Based on Racine's Bérénice ).
_____. Friendship in Fashion. Comedy. 1678.
_____. The History and Fall of Caius Marius. Drama. 1680.
_____. The Orphan. Tragedy 1680.
_____. The Poet's Complaint of His Muse. 1680.
_____. The Souldier's Fortune. 1681.
_____. Venice Preserv'd, or a Plot Discover'd. Tragedy. 1682.
_____. The Atheist. Drama. 1684.



Nathaniel Lee (c. 1649-1692)

_____.  The Tragedy of Nero. Drama.1674.
_____. Sophonisba; or, Hannibal's Overthrow. Tragedy. 1675.
_____. Gloriana. Tragedy. 1676.
_____. The Rival Queens, or the Death of Alexander the Great. Drama. 1677.
_____. Mithridates, King of Pontus. Drama. 1678.
_____. Caesar Borgia. Drama. 1680.
_____. Theodosius, or the Force of Love. Drama. 1680.
_____. Lucius Junius Brutus. Drama. 1680.
_____. Constantine the Great. Drama. 1684.
_____. The Princess of Cleve. Drama. 1689.
_____. The Massacre of Paris. Drama. 1689. (On the massacre of St Bartholomew, 1572).


In collaboration with Dryden:
_____. Oedipus. 1679.
_____. The Duke of Guise. Drama. 1682.






The Theatre of the Restoration notes from A History of English Literature, by Legouis and Cazamian.



___________

martes, 12 de noviembre de 2019

John Wilmot, Earl of Rochester

From The Oxford Companion to English Literature, ed. Margaret Drabble:


Rochester, John Wilmot, second earl of (1647-80), lyric poet, satirist, and a leading member of the group of 'court wits' surrounding Charles II. He was born at Ditchley in Oxfordshire, his father was a Cavalier hero and his mother a deeply religious woman related to many prominent Puritans. In his early teens he was sent to Wadham College, Oxford, the home of the *Royal Society, and then went on a European tour, returning to the court late in 1664. At the age of 18 he romantically abducted the sought-after heiress Elizabeth Malet in a coach-and-six. Despite the resistance of her family, and after a delay of 18 months (during which Rochester fought with conspicuous gallantry in the war against the Dutch), she married him. Subsequently his time was divided between periods of domesticity with Elizabeth at his mother's home in the country (the couple had four children), and fashionable life in London with, among several mistresses, the brilliant actress Elizabeth *Barry, and his riotous male friends, who included the earl of Dorset (C. *Sackville) and the duke of *Buckingham. Wherever he was staying he tried to keep up the other side of his life through letters, many of which survive.


Although Dr. *Johnson dismissed Rochester's lyrics, their wit and emotional complexity give him some claim to be considered one of the last important *Metaphysical poets of the 17th cent., and he was one of the first of the *Augustans, with his social and literary verse satires. He wrote scurrilous lampoons—some of them impromptu—dramatic prologues and epilogues, 'imitations' and translations of classical authors, and several other brilliant poems which are hard to categorize, such as his tough self-dramatization 'The Maimed Debauchee' and the grimly funny 'Upon Nothing'. He wrote more frankly about sex than anyone in English before the 20th cent., and is one of the most witty poets in the language. Although his output was small (he died young), it was very varied. *Marvell admired him, *Dryden, *Swift, and *Pope were all influenced by him (he was Dryden's patron for a time), and he has made an impression on many subsequent poets—*Goethe and *Tennyson, for example, and in modern Britain, *Empson and P. *Porter.
Rochester is famous for having, in Johnson's words, 'blazed out his youth and health in lavish voluptuousness'. He became very ill in his early thirties and engaged in discussions and correspondence with a number of theologians, particularly the deist Charles Blount and the rising Anglican churchman G. *Burnet, an outspoken royal chaplain who superintended and subsequently wrote up the poet's deathbed conversion. It was the final contradiction in a personality whose many oppositions—often elegantly or comically half-concealed—produced an important body of poems. See Complete Poems, ed. D. M. Vieth (1968); Poems, ed. K. Walker (1984); Letters, ed. J. Treglown (1980). There is a life by V. de Sola Pinto (1953, 2nd ed. 1964); see also Lord Rochester's Monkey (1974) by G. *Greene.





—oOo—


Un blog sobre literatura inglesa (1600-1800)

Este blog fue utilizado como material auxiliar para una asignatura del grado de Estudios Ingleses en la Universidad de Zaragoza, asignatura ...