miércoles, 23 de octubre de 2019

Thomas Traherne

From The Oxford Companion to English Literature, ed. Margaret Drabble.



Traherne, Thomas (1637-74), son of a shoemaker in Hereford. It seems possible that both his parents died while he and his brother Philip were infants, and the boys were brought up by a wealthy innkeeper, Philip Traherne, twice mayor of Hereford. They evidently had a good education, but no record exists of their attending Hereford Cathedral School. Thomas went up to Brasenose College, Oxford, as a commoner in March 1653, and took his BA in October 1656. In 1657 the parliamentary commissioners appointed him rector of Credenhill, Herefordshire, but he seems not to have resided there until 1661. He was ordained in 1660, and the following year took his Oxford MA. At Credenhill he joined the religious circle centring on Susanna Hopton at Kington, for whom he was to write the Centuries. During this period he evidently travelled to Oxford to work on Roman Forgeries in the Bodleian. Probably in recognition of this work he gained his BD in 1669, and also his appointment the same year as chaplain to Sir Orlando Bridgeman, lord keeper of the great seal, which necessitated his moving to London. He was buried at Teddington.

Traherne led a 'single and devout life', according to A. *Wood. He left five houses in Hereford in trust for the poor people of All Saints parish. He told *Aubrey that he had visions, seeing, on one occasion, the phantom of an apprentice who was asleep in the same house, and on another a basket of fruit sailing in the air over his bed. Traherne's Centuries and many of his poems were discovered in a notebook (now in the Bodleian) which was picked up for a few pence on a London bookstall in the winter of 1896-7 by W. T. Brooke. Bertram Dobell identified Traherne as the author, and edited the Poetic Works (1903) and the Centuries of Meditations (1908). More poems, prepared for publication by Traherne's brother Philip as 'Poems of Felicity', were discovered in a British Museum manuscript and published by H. I. Bell in 1910. A further manuscript of Select Meditations has since come to light, and is in the collection of the late J. M. Osborn. In his lifetime Traherne published Roman Forgeries (1673), which exposes the falsifying of ecclesiastical documents by the Church of Rome, concentrating in the mid-9th-century collection known as the 'False Decretals' which had, in fact, already been decisively discredited by several 16th-century scholars. His Christian Ethicks (1675) was prepared for the press before he died. But his major achievement comprises the Centuries,  the poems and the Thanksgivings, written in exuberant, unconventional verse, and at times foreshadowing *Whitman, which appeared in 1699. He expresses a rapturous joy in creation unmatched by any other 17th-century writer, and his memories, in the Centuries, of his own early intuitions are the first convincing depiction of childhood experience in English literature. He is also among the first English writers to respond imaginatively to new ideas about infinite space, and at times virtually equates infinite space with God. The boundless potential of man's mind and spirit is his recurrent theme, as is the need for adult man to regain the wonder and simplicity of the child. In both, his thought is influenced by *Neoplatonism, especially by the Hermetic books.

Centuries, Poems and Thanksgivings, ed. H. M. Margoliouth (2 vols, 1958); Christian Ethics, ed. C. L. Marks and G. R. Guffey (1968); G. Wade, Thomas Traherne (1944); K. W. Salter, Thomas Traherne, Mystic and Poet (1964).




Henry Vaughan


Some notes on Henry Vaughan (& brother)


From The Oxford Companion to English Literature, ed. Margaret Drabble.

VAUGHAN, Henry (1621-95), born at Newton-upon-Usk, Breconshire, the eldest son of a Welsh gentleman, Thomas Vaughan of Tretower, and his wife Denise. Henry's twin brother Thomas (below) became a controversial 'natural magician'. Probably in 1628 a third brother William was born. Henry and Thomas were brought up bilingual in Welsh and English, tutored by Matthew Herbert, a noted schoolmaster at Llangattock. By May 1638 Thomas was at Jesus College, Oxford, and Henry almost certainly accompanied him, though his residence is not recorded. Around 1640 Henry probably went to London to study law, though it is not known which Inn admitted him. He may have come within the orbit of the literary set of which Jonson had been the leader. He returned to Breconshire, probably at the outbreak of the Civil War, and after a spell as clerk to Sir Marmaduke Lloyd, chief justice of the sessions, he saw military service on the Royalist side. About 1646 he married Catherine Wise. They had a son, Thomas, and three daughters. His wooing of Catherine is apparently recalled in the poem 'Upon the Priory Grove' printed in Poems with the tenth Satire of Juvenal Englished (1646), his first collection. His second, Olor Iscanus (The Swan Of Usk), has a dedication bearing the date 1647, but was not published until 1651. The poems in these two volumes are almost wholly secular, including fashionable love verses and translations from *Ovid, Ausonius, *Boethius, and the Polish Jesuit Latin poet Casimir Sarbiewski (1594-1640). There is little in them that anticipates the great religious poetry of Vaughan's next volume, Silex Scintillans (Flashing Flint, 1650). The poems suggest that a profound spiritual experience, connected with the death of his brother William in 1648 and the defeat of the Royalist cause, accounted for the despair and renewal which inspired the composition of Silex. Further devotional works followed: The Mount of Olives, or Solitary Devotions (1652) and Flores Solitudinis (1654), which consists of three pious prose trnslations and a life of St Paulinus of Nola. In 1655 appeared the second edition of Silex Scintillans, with a second part added, and also a translation of the Hermetical Physick of Henry Nollius. A translation of The Chymists Key by the same author followed in 1657. Vaughan's first wife having died, he married her younger sister Elizabeth, probably in 1655. They had a son, Henry, and three daughters. According to a letter he sent to *Aubrey in 1673 he had by that date been practising physic 'for many years with good success'. There is no record of a medical degree. His brother Thomas died in 1666, and in 1678 Thalia Rediviva, containing poems by both twins, was published. His later life was marred by litigious feuds between his first and second families.



Vaughan's religious poetry is uneven, but its best moments, like the start of 'The World' ('I saw Eternity the other night'), have a quality which is wholly distinctive, and which has prevailed with critics to class him as a 'mystic': his lyrics ('The bird', 'The Water-Fall', 'The Timber') show a sense of man's unity with and God's love of creaturely life, and he believed (with his brother) that nature would be resurrected at the end of time, and that even stones had feeling. He was seized with the idea of childish innocence, and the child's recollections of prenatal glory. He writes, in 'The Retreat', of his own 'Angel infancy', when he would pause on clouds and flowers and see in them 'Some shadows of eternity'. He acknowledged, in the preface to the second part of Silex Scintillans, his great debt to G. *Herbert, 'whose holy life and verse gained many pious Converts (of whom I am the least)'. Vaughan's fascination with hermeticism, and particularly with the idea of sympathetic bonds uniting microcosm and macrocosm, is clear in his poems, many of which share ideas and even phrases with his brother Thomas's treatises. On the title pages of Olor Iscanus and Silex Scintillans Vaughan calls himself a 'Silurist', presumably because his native Brecon was anciently inhabited by the British tribe of Silures.

Works, ed. L. C. Martin (2nd ed. 1957); Complete Poems, ed. Alan Rudrum (1976); F. E. Hutchinson, Henry Vaughan: A Life and Interpretation (1947; corrected repr. 1971); S. Davies, Henry Vaughan (1995). The Vaughan Society was founded in 1994 and its journal, Scintilla, is edited by Anne *Cluysenaar.



 VAUGHAN, Thomas (1621-66), twin brother of Henry *Vaughan, whose entry gives details of his background. Thomas, an ordained Anglican minister, was evicted from his living at Llansantffraed in 1650 for misconduct ('for being a common drunkard, a common swearer . . . a whoremaster'). He was a disciple of Cornelius *Agrippa, published various treatises on alchemy, magic, and mysticism, including Anima Magica Abscondita; or A Discourse on the Universall Spirit of Nature (1650) and  Magia Adamica; or The Antiquity of Magic (1650); Aula Lucis, or The House of Light (1652); and a preface to a *Rosicrucian work, The Fame and Confession of the Fraternity of R. C., Commonly, of the Rosie Cross (1652). Most of his works were published under the pseudonym of 'Eugenius Philalethes' ('Good Truth-loving Man'). He engaged in a furious controversy with the Platonist Henry *More who had attacked his Anthroposophia (1650) as nonsense. After the Restoration, Thomas enjoyed the patronage of Sir Robert Moray, first president of the Royal Society. Moray and Vaughan accompanied the Court to Oxford to flee the plague in 1665, and Vaughan died at Albury, according to A. *Wood, of mercury poisoning. He was satirized by S. *Butler in his 'Character of a Hermetic Philosopher' (published posthumously) and is said to have suggested some aspects of Ralpho in *Hudibras: Swift in A Tale of a Tub described him as a writer of the greatest gibberish 'ever published in any language'. Works, ed. A. Rudrum with J. Drake-Brockman (1984).







martes, 22 de octubre de 2019

Good Friday : Rex Tragicus

Good Friday: Rex Tragicus, or, Christ Going to His Cross

Put off Thy Robe of Purple, then go on
To the sad place of execution:
Thine houre is come; and the Tormentor stands
Ready, to pierce Thy tender Feet, and Hands.
Long before this, the base, the dull, the rude,
Th'inconstant, and unpurged Multitude
Yawne for Thy coming; some 'ere this time crie,
How He deferres, how loath He is to die!
Amongst this scumme, the Souldier, with his speare,
And that sowre Fellow, with his vineger,
His spunge, and stick, do ask why Thou dost stay?
So do the Skurfe and Bran too: Go Thy way,
Thy way, Thou guiltlesse man, and satisfie
By Thine approach, each their beholding eye.
Not as a thief, shalt Thou ascend the mount,
But like a Person of some high account:
The Crosse shall be Thy Stage; and Thou shalt there
The spacious field have for Thy Theater.
Thou art that Roscius, and that markt-out man,
That must this day act the Tragedian,
To wonder and affrightment: Thou art He,
Whom all the flux of Nations comes to see;
Not those poor Theeves that act their parts with Thee:
Those act without regard, when once a King,
And God, as Thou art, comes to suffering.
No, No, this Scene from Thee takes life and sense,
And soule and spirit, plot, and excellence.
Why then begin, great King! ascend Thy Throne,
And thence proceed, to act Thy Passion
To such an height, to such a period rais'd,
As Hell, and Earth, and Heav'n may stand amaz'd.
God, and good Angells guide Thee; and so blesse
Thee in Thy severall parts of bitternesse;
That those, who see Thee nail'd unto the Tree,
May (though they scorn Thee) praise and pitie Thee.
And we (Thy Lovers) while we see Thee keep
The Lawes of Action, will both sigh, and weep;
And bring our Spices, to embalm Thee dead;
That done, we'll see Thee sweetly buried.
 
 
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Metaphysical and Cavalier (NIVEL AVANZADO)



Nivel avanzado: 


- A good paper on metaphysical poetry:

 

W. Bradford Smith, "What Is Metaphysical Poetry?" Sewanee Review 42.3 (1934): 261-72. Online at JSTOR.

https://www.jstor.org/stable/27535002


 
- A BBC audio on "The Metaphysical Poets."
    http://www.bbc.co.uk/programmes/b00cbqhq
    2014
 

 

 

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On Cowley's Davideis and the "music of the spheres":

 
- Cowley's classical creationism and evolutionary thought: "Chaos and the Emergence of Order in Evolutionary Cosmology: Two Evolutionary Accounts." Ibercampus (Vanity Fea) 29 Aug. 2015.*
    http://www.ibercampus.eu/chaos-and-the-emergence-of-order-in-evolutionary-cosmology-two-classical-3358.htm

- Y quien quiera una reflexión sobre la Gran Cadena del Ser como teoría
pre-evolucionista de la complejidad (?) puede mirar aquí:
http://vanityfea.blogspot.com.es/2011/08/el-pernicioso-legado-de-la-gran-cadena.html



 
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martes, 15 de octubre de 2019

Katherine Philips (NIVEL AVANZADO)

(From The Oxford Companion to English Literature, ed. Margaret Drabble).


PHILIPS, Katherine (1631-64), known as the 'Matchless Orinda', the daughter of Royalist John Fowler, a London merchant. She lived in London until the age of 15, attending Mrs Salmon's School, Hackney. Upon her father's death her mother married a Welsh baronet, whose castle in Pembrokeshire became Katherine's home. In 1648 she married Parliamentarian James Philips of Cardigan: he was 59, she 17. Her poems were widely circulated in manuscript, inspiring eulogies by Henry *Vaughan ('It was thy light showed me the way' in Olor Iscanus and Thalia Rediviva); a commendatory poem by 'Orinda' was prefixed to the latter volume. Her translation of *Corneille's Pompée was acted in Dublin with great success in 1663, and her version of Horace, completed by *Denham, in 1668. Her collected poems appeared unauthorized in 1664. She died of smallpox, and was mourned in elegies by *Cowley and Sir William *Temple; her collected poems were published in 1667. They memorialize a coterie, a Platonic Society of Friendship, whose members were known by poetic sobriquets, including Anne Owen (Lucasia), Mary Aubrey (Rosania), John *Berkenhead (Cratander), and Sir Charles Cotterell (Polliarchus), her correspondence with whom was published as Letters from Orinda to Poliarchus in 1705. These letters show Philips's careful construction of the persona of 'Orinda'. She was pre-eminently a poet of female friendship. Her lyrics, marrying Cavalier and Metaphysical influences, applied Petrarchan love conventions to present women's friendship as an ideal. Friendship is 'our passion . . . the strongest thing I know'. See P. W. Souers, The Matchless Orinda (1931); E. Hobby, The Virtue of Necessity (1988); Germaine *Greer, Kissing the Rod (1988).

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"Katherine Philips." Poetry Foundation.*
         2019


Katherine Philips. "To my Excellent Lucasia, on Our Friendship." Poetry Foundation.*
         2019



Otro poema de Katherine Philips: THE WORLD















—oOo—

Un blog sobre literatura inglesa (1600-1800)

Este blog fue utilizado como material auxiliar para una asignatura del grado de Estudios Ingleses en la Universidad de Zaragoza, asignatura ...